What's that Joni Mitchell song?
How does that Joni Mitchell song go? By the time we got to the Cambodian Highlands, we were half a million strong. Something like that?
Anyway, here's seven straight versions of The Wounded Man:
The top three you've seen before. The bottom four I did over yesterday and today.
I'm not one to toot my own horn, but I do think I'm a wonderful painter. At least at this one moment in time. This one moment right now. Here. Exactly now. Bang. This exact second. Kaboom. Bingo.
I'm going to touch the thing up tomorrow and then hand it over to Kate. And then we'll see. In the end I see a lot of his body being a lot darker--kind of disappearing into the darkness of the shade of the tree trunk he's leaning against--but I can't gauge how much darker until I get a sense of what the background will look like. It's hard to tell what anything looks like against all that white.
Rough chronology going forward: I think she gets it, then I get it back, then she gets it back, and then I finish it.
Although you could argue (particularly after listening to me bitch and moan about needing to paint rougher; avoiding the urge to "finish" too neatly) that I should just stop where things stand now. I don't think it's the right answer, but one could make the argument.
Anyway, here's seven straight versions of The Wounded Man:
The top three you've seen before. The bottom four I did over yesterday and today.
I'm not one to toot my own horn, but I do think I'm a wonderful painter. At least at this one moment in time. This one moment right now. Here. Exactly now. Bang. This exact second. Kaboom. Bingo.
Am I bugging you? I don't mean to bug you. Okay Edge--play the blues...I like that look on his face. Looks a little bit like Leo DiCaprio.
I'm going to touch the thing up tomorrow and then hand it over to Kate. And then we'll see. In the end I see a lot of his body being a lot darker--kind of disappearing into the darkness of the shade of the tree trunk he's leaning against--but I can't gauge how much darker until I get a sense of what the background will look like. It's hard to tell what anything looks like against all that white.
Rough chronology going forward: I think she gets it, then I get it back, then she gets it back, and then I finish it.
Although you could argue (particularly after listening to me bitch and moan about needing to paint rougher; avoiding the urge to "finish" too neatly) that I should just stop where things stand now. I don't think it's the right answer, but one could make the argument.
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