Tar and Latex
Check this out. By sculptor Sandrine Pelletier, it's horses made of wool thread dipped in tar and latex, then hung from the ceiling ...
Two thoughts:
First, I'd love to go see this show. It seems quite wonderful. Except it's in Geneva.
Second, I'm deeply engaged by the idea of tar and latex as a coating/binding agent for my own purposes with the PeaceWorks Project. Because there are two major challenges to my current work:
1--getting the materials, site, permissions, etc. from the City of Troy.
2--actually putting the thing together.
This second one is a topic that occupies my mind for a good part of the day. My current thinking is to bind the guns into a ball using black-pigmented fiberglass resin. But latex is interesting too. And so is tar. Which has an almost medieval aspect to it.
I wonder, when you walk into the gallery, if you are immediately confronted with a tar smell? I also wonder what the durability of tar is. It works great for roads, obviously. But sculpture?
And a final point: I spend all my energy trying to talk Troy into giving me enough weapons to make a PeaceWork. Which we're currently defining as a three to five foot in diameter abstract ball of guns, bound together by polymer resin. In one of my recent meetings, somebody asked me how many guns I might need. I said I couldn't tell until I was actually making the sculpture, but that I thought 50 rifles and 50 handguns would suffice.
But what if that's more than enough, and I find myself with a surplus of medium (by which I mean guns)? Such a problem a man should have, but still. Maybe something in latex and tar.
Two thoughts:
First, I'd love to go see this show. It seems quite wonderful. Except it's in Geneva.
Second, I'm deeply engaged by the idea of tar and latex as a coating/binding agent for my own purposes with the PeaceWorks Project. Because there are two major challenges to my current work:
1--getting the materials, site, permissions, etc. from the City of Troy.
2--actually putting the thing together.
This second one is a topic that occupies my mind for a good part of the day. My current thinking is to bind the guns into a ball using black-pigmented fiberglass resin. But latex is interesting too. And so is tar. Which has an almost medieval aspect to it.
I wonder, when you walk into the gallery, if you are immediately confronted with a tar smell? I also wonder what the durability of tar is. It works great for roads, obviously. But sculpture?
And a final point: I spend all my energy trying to talk Troy into giving me enough weapons to make a PeaceWork. Which we're currently defining as a three to five foot in diameter abstract ball of guns, bound together by polymer resin. In one of my recent meetings, somebody asked me how many guns I might need. I said I couldn't tell until I was actually making the sculpture, but that I thought 50 rifles and 50 handguns would suffice.
But what if that's more than enough, and I find myself with a surplus of medium (by which I mean guns)? Such a problem a man should have, but still. Maybe something in latex and tar.
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